Selecting just 50 objects to tell the “story of North Carolina” must have been a difficult assignment for editors of Our State magazine, but they gave it a go to produce the lead article that appears in the September issue.
The items mentioned range from the North Carolina mountains to the coast and include the mile markers on the Blue Ridge Parkway, mandolins and banjos, textile bobbins and shuttles…as well as boxes of Krispy Kreme doughnuts. It’s a fascinating piece.
Interestingly, one of the smallest “pure North Carolina” objects featured in the article is a souvenir golf ball from Pinehurst Resort, founded in 1895 in Moore County.
The Titleist
ball is stamped with the image of the iconic Pinehurst “Putter Boy.”
Widely known as the “Cradle of American Golf,” Pinehurst was carved out of “ravaged timberland” that was acquired by James Walker Tufts of Boston, Mass.
Tufts bought 5,800 acres of land from the Henry Page family of Aberdeen, N.C., paying $1 per acre.
Tufts hired the development firm owned by Frederick Law Olmsted of Brookline, Mass., to design the Village of Pinehurst.
(Olmstead was the landscape architect for the Biltmore Estate in Asheville, N.C., as well as the developer of New York City’s Central Park.)
Tufts’ grand scheme was to provide a comfortable resort for New Englanders to come south and experience mild winters. Obviously, golf entered into his thinking. In 1897, a nine-hole golf course was built…for starters.
In 1900, the well-known Scottish golfer Donald J. Ross arrived in Pinehurst “to take charge of all matters pertaining to the sport.”
Ross
designed Pinehurst’s legendary No. 2 championship course as well as three
others on the property. He borrowed what he learned growing up as a lad on the
links of Dornoch, Scotland. (A seaside resort town, Dornoch is located near the
wee northern tip of Scotland in the Highlands region.)
In Pinehurst, Ross discovered landforms that harkened to his homeland – sandhills. He set about retooling Pinehurst’s modest golf offering and expanding it.
Pinehurst’s
archivist reported: “Golf’s popularity was spreading like wildfire in the early
1900s, and Pinehurst was at the epicenter.”
Writing for Golf Digest, Shane Ryan (shown below) said Tufts hired Frank Presbrey, who ran an advertising agency in New York City, to attract guests who were looking for recreation and relaxation.
Presbrey created a young character known as “Golf Lad” to appear in magazine advertisements…and say: “Come to Pinehurst.”
Golf Lad wore a white floppy hat, a billowing red shirt, baggy trousers with unhooked, flapping suspenders and boots.
He made his advertising debut in 1905,
as Presbrey sought to promote an escape from a stuffy, urban existence to a “casual,
informal, carefree, open-air lifestyle found in the North Carolina Sandhills,” centered
around golf.
In
1912, Leonard Tufts (shown below), son of James Walker Tufts, hired Lucy Currier Richards, a
Boston sculptor, to create a bronze statue for placement in the area between
the two practice putting greens near the Pinehurst clubhouse.
“She
knew very little about golf, but she was taken by the Golf Lad,” Ryan remarked.
“With the help of Ross (who demonstrated the proper way to grip a golf club),
she created the 18-inch statuette that still graces the grounds today – a boy
with a floppy hat, face inscrutable, lining up to hit a ball.”
Richards’
bronze piece took the name of “Putter Boy.”
“The
shaft of the club appears unusually long,” Ryan said. “That’s because Richards’
intent was to make the statue a sundial, and to make it accurately tell time,
the angle of the club had to be longer than would appear normal.”



















































